MILAN HOUSER

PAINTINGS

Milan Houser artiste Circle Collection @ Marciano Contemporary
Untitled – MH92

Varnish, pigment and dye on canvas
Diameter 125 cm | 49 1/54 in
Unique

Milan Houser artiste Circle Collection @ Marciano Contemporary
Untitled – MH94

Varnish, pigment and dye on canvas
Diameter 125 cm | 49 1/54 in
Unique

Milan Houser artiste Circle Collection @ Marciano Contemporary
Untitled – MH92

Varnish, pigment and dye on canvas
Diameter 125 cm | 49 1/54 in
Unique

Milan Houser artiste  Canvas Collection @ Marciano Contemporary
Untitled – MH75

Varnish, pigment and dye on canvas
120 x 150 cm |  47 1/5 x 59 1/16 in
Unique

Milan Houser artiste<br />
@ Marciano Contemporary
Untitled – MH85

2022, Varnish, pigment and dye on canvas
80 x 120 cm | 31 × 47 1/5 in
Unique

Milan Houser - MH 706 © Marciano Contemporary
Untitled – MH75

Varnish, pigment and dye on canvas
138 x 180 cm | 54 x 70 in
Unique

Milan Houser artiste<br />
Canvas Collection<br />
@ Marciano Contemporary
Untitled – MH708

Varnish, pigment and dye on canvas
90 x 120 cm | 35 x 47 in
Unique

Milan Houser artiste<br />
Canvas Collection<br />
@ Marciano Contemporary
Untitled – MH714

Varnish, pigment and dye on canvas
100 x 120 cm | 39 x 47 in
Unique

Milan Houser - Portrait © Marciano Contemporary

BIOGRAPHY

Milan Houser was born in 1971 in Czech Republic. His talent was awarded by many prices, including the prestigious Stipendium Pollock-Krasner Foundation in 2005. His art already belongs to the National Gallery in Prague. Also his work has joined many international private collections in Czech Republic, France, Italy, Germany and USA. It is important that, through the color, he opens another space. It allows us to perceive movement, the intensity of light and the proximity to the shadow. His work offers the experience of churning time.

Milan Houser doesn’t paint in the true sense of the word. However, he pours colored masses onto the horizontal canvas, which he divides into specific sections. They are called “chambers”. They do not form a completely accurate border, but the paint rather flows over them, pushing out and flooding in a slow sludge, with a streamy and sticky attraction. It then creates a new life to the painting, arising from the mixture, and the result is a large and non-predestined appearance. The result is a painting without gaps, equally dense and viscous, which gradually gets stuck and condensed, boggled down, into a soft homogeneity. The viewer is confronted with a painting, simultaneously elastic and stunningly colorful. Find his latest series in Marciano Contemporary galleries.